Live Music: Olga Kern and the CSO

Olga Kern

I’ve been looking forward to this concert for months. The first half, the Colorado Symphony Orchestra playing Sibelius’ Finlandia and Symphony No. 5 in E-flat major, was an excellent primer. Jeffrey Kahane, the conductor, gave a really fine introduction, without notes, and seemed to revel in the performance. I had heard Finlandia before, but it was much better live. The Symphony was a little relentless for me, especially with the tremolo string section, but still very evocative. It gave me visuals of exploring a frenetic mountainscape as a tiny flying particle, just moving and observing. The main event, though, definitely came after the intermission.

Olga Kern emerged on the stage in a spare evening dress, sat at the piano, and launched into the Piano Concerto No. 3 in D minor by Rachmaninov. From the first second she seemed to throw every ounce of her being into the piano in a mad incantation, bent on bringing you to the brink of helplessness, easing you back to pure awe, then caressing and soothing to keep you breathing just enough to make it through the next volley. I’ve never seen anything like it. Both the composition and the performance seemed to be gushing into this world from another realm, as if she had opened a wormhole and was possessed with the desire to pry it open further. During the performance a man slumped over in his chair and was rushed out in a wheelchair by two police officers. I felt a moment of envy at the opportunity to go at such a moment, and the music seemed to reinforce that feeling. It could have been madness, or brilliance, or the place where they meet, but I’ll never forget it.

You can find more information on Olga Kern at harmonia mundi, including a discography and concert schedule. We heard that she’s playing in Vail on June 26, and are already trying figure out how to go. Don’t miss out if she’s playing near you.

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4 thoughts on “Live Music: Olga Kern and the CSO”

  1. I agree with everything you wrote except: That was absolutely not a low-cut evening gown! It was very modest, neck high.
    I saw the concert Friday night and could not resist going again Saturday night.
    I would like to know how to get Vail tickets for her performance there. The video with her, The Cliburn, is excellent. But of course nothing compares to seeing her in person.
    bob

  2. Thanks Bob! Good point about the gown – I think it must have been cut low just in the back. Not indiscreet, but I will never forget being able to see her strong back as she played. It somehow reinforced that fact that I was seeing a human being at the piano, when all the other evidence seemed to suggest a supernatural being.

    The site is not responding at the moment, but I believe my wife found Vail tickets at http://www.vailmusicfestival.org.

  3. Olga Kern is definitely is in a class of her own. Her piano playing is simply divine. I can’t wait to see her here in Los Angeles again. Does she have a schedule here? I’ll definitely take her fans along.

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